...photography, illustrations, rambling, living, etc.
@PZTZR for twitter and instagram and etc

Sunday

...scanner

I finally got a scanner after many years of occasionally needing one. Thank you Glenn Leavit. Sorry that I don't know how to spell your name. I owe you $20. For the scanner, not for spelling your name wrong.
This photo is over three years old!


Untitled, 2008

Friday

Debbie In Light

Debbie In Light, February 2011



Honouring Our Women, February 2011

Tuesday

My Birthday

Today is my birthday, hooray!
So I thought I'd celebrate in the Gulliver's Travels method of giving presents on ones birthday. My present to you is this:

So COOL, get it?

I got this image from breadcamesliced's tumblr. If you ever need random inspiration or a good chuckle check out breadcamesliced.tumblr.com. Weird, funny, creepy, and crazy images. Whoever runs the blog is posting several pictures everyday and has been for at least six months. Imagine the size of his image library.
No new work from me as I've been busy studying for exams (because "tests" doesn't sound adult enough), but I have been batting around the idea of portraits of the people I live with.

Saturday

Leaps (Two)

Rouzat, De De, Lartigue's cousin, diving with water wing
Jaques Henri Lartigue
1911, Gelatin Silver Print

Le Saut dans le Vide (Leap into the Void)
Photomontage by Harry Shunk of a performance by Yves Klein at Rue Gentil-Bernard, Fontenay-aux-Roses, October 1960.

Fine Art Photography Historicals: Pictorialism vs. Modernism

This post is inspired by a slide that Maria Harper uses in her class Photographic Art History at Langara College. These images, both taken by Alfred Stieglitz, clearly show Stieglitz's transition from Pictorialism into Modernism.
Compare the atmospheric qualities of From the Back Window from 1915 with and the bold geometric shapes of Looking Northwest from the Shelton from 1932.
From the Back Window, 291, 1915

The way the eye is drawn into this image through the use of depth and a foreground path-like element contrasts nicely with the second image's unyielding two-dimensionality.


Looking Northwest from the Shelton, 1932



Looking Northwest from the Shelton seems to trap the eye within the frame using the oppressive lines of 30's era skyscrapers. The lack of a foreground path into the image minimizes what little depth is in the photograph and references the medium by drawing attention to it's inability to show true depth.
It's important to note that Pictorialism as a style became outmoded around 1915 and so From the back Window, 291 does have some very modernist aspects.

Sunday

Wednesday

Dark





Friday

Food Landscapes






Donut Mountain in the Mist

I'm really happy with the results from this donut photoshoot I did today (all in camera btw). I'm even happier with the fact that I seem to be in a phase where every picture I take amazes me. Lucky me! I did a hair style shoot last sunday with katie j. doing hair and four different models. Overall the shoot went really swell (like i said, shit hot phase), but I'm just starting to dig into the post processing so no images yet. For now enjoy this tasty treat from my "studio".

Thursday

Hiker's Toe Jam


I went winter camping for three nights this past weekend. Fucked up my toe on the way down the mountain.

Three Illustrations from January